{"id":451,"date":"2024-07-04T17:36:07","date_gmt":"2024-07-04T17:36:07","guid":{"rendered":"https:\/\/complexhibit.eu\/?post_type=portfolio&#038;p=451"},"modified":"2025-09-08T06:05:30","modified_gmt":"2025-09-08T06:05:30","slug":"semantic-web-cultural-heritage-and-art-historical-knowledge-conceptual-models-ontologies-and-epistemological-implications-universidad-de-malaga","status":"publish","type":"portfolio","link":"https:\/\/complexhibit.eu\/es_es\/actividades-publicaciones\/semantic-web-cultural-heritage-and-art-historical-knowledge-conceptual-models-ontologies-and-epistemological-implications-universidad-de-malaga\/","title":{"rendered":"Semantic Web, Cultural Heritage, and Art Historical Knowledge: Conceptual Models, Ontologies, and Epistemological Implications (Universidad de M\u00e1laga)"},"content":{"rendered":"<section  class='av_textblock_section av-ly7jqfqh-6b0f0361355a7a1ebb2e2dbc13a3a3fd '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3 style=\"text-align: center;\">Semantic Web, Cultural Heritage, and Art Historical Knowledge: Conceptual Models, Ontologies, and Epistemological Implications (Universidad de M\u00e1laga)<\/h3>\n<\/div><\/section>\n<div  class='hr av-av_hr-91d7ccd583a503147498e120fee2ff9b hr-default  avia-builder-el-1  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1\">\n.avia-image-container.av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1 av-styling- avia-align-center  avia-builder-el-2  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-452 avia-img-lazy-loading-not-452 avia_image ' src=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web.webp\" alt='' title='semantic_web'  height=\"709\" width=\"1689\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web.webp 1689w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-300x126.webp 300w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-1030x432.webp 1030w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-768x322.webp 768w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-1536x645.webp 1536w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-1500x630.webp 1500w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-705x296.webp 705w\" sizes=\"(max-width: 1689px) 100vw, 1689px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-d083fcad8a79997cc77f0524a79d8a75 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Seminario<\/strong><\/p>\n<p>Organizado por la C\u00e1tedra Telef\u00f3nica-UMA con la colaboraci\u00f3n del Museo Picasso de M\u00e1laga, este seminario reuni\u00f3 a profesionales para reflexionar sobre la construcci\u00f3n de modelos conceptuales y ontolog\u00edas en el patrimonio cultural y la historia del arte. El evento, enmarcado en los proyectos Andalex y Complexhibit de la Universidad de M\u00e1laga, abord\u00f3 el uso de tecnolog\u00edas de la web sem\u00e1ntica, destacando su potencial para diversificar el acceso a contenidos culturales, ampliar narrativas y extraer conocimiento impl\u00edcito de grandes datos. Se discutieron temas como la ambig\u00fcedad temporal, capas interpretativas, jerarqu\u00edas post-antropoc\u00e9ntricas y sesgos epistemol\u00f3gicos, resaltando los desaf\u00edos y logros en la creaci\u00f3n de la ontolog\u00eda OntoExhibit para exposiciones de arte.<\/p>\n<p><strong>Tipo de comunicaci\u00f3n:<\/strong> Ponencia. \u00abOntoExhibit: modeling the art exhibition domain and its discursive and social practices\u00bb<br \/>\n<strong>Personal participante:<\/strong> Nuria Rodr\u00edguez Ortega y M.\u00aa Luisa D\u00edez Platas (IPs); Mart\u00edn Salvach\u00faa y M.\u00aa Mar Rold\u00e1n (Colaboradores)<br \/>\n<strong>Fecha:<\/strong> marzo de 2023<\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[4],"class_list":["post-451","portfolio","type-portfolio","status-publish","hentry","portfolio_entries-actividades"],"_links":{"self":[{"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/portfolio\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":0,"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/portfolio\/451\/revisions"}],"wp:attachment":[{"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/media?parent=451"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/tags?post=451"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/complexhibit.eu\/es_es\/wp-json\/wp\/v2\/portfolio_entries?post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}