{"id":463,"date":"2024-07-04T18:30:01","date_gmt":"2024-07-04T18:30:01","guid":{"rendered":"https:\/\/complexhibit.eu\/?post_type=portfolio&#038;p=463"},"modified":"2025-09-08T06:04:44","modified_gmt":"2025-09-08T06:04:44","slug":"seminario-internacional-artls-lecture-series-narrowing-the-divide-a-dialogue-between-art-history-and-digital-art-history-universidad-de-ginebra","status":"publish","type":"portfolio","link":"https:\/\/complexhibit.eu\/en\/actividades-publicaciones\/seminario-internacional-artls-lecture-series-narrowing-the-divide-a-dialogue-between-art-history-and-digital-art-history-universidad-de-ginebra\/","title":{"rendered":"International Seminar: Artl@s Lecture Series. Narrowing the Divide: A Dialogue Between Art History and Digital Art History. University of Geneva."},"content":{"rendered":"<section  class='av_textblock_section av-ly7ln1hn-2b05e869f2c9c2722a720d4fe2c8e6be'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3 style=\"text-align: center;\">International Seminar: Artl@s Lecture Series. Narrowing the Divide: A Dialogue Between Art History and Digital Art History. University of Geneva.<\/h3>\n<\/div><\/section>\n<div  class='hr av-av_hr-91d7ccd583a503147498e120fee2ff9b hr-default  avia-builder-el-1  el_after_av_textblock  el_before_av_image'><span class='hr-inner'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ly7lpwt3-23224263ebffa341a7d39fbf40cdc843\">\n.avia-image-container.av-ly7lpwt3-23224263ebffa341a7d39fbf40cdc843 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-ly7lpwt3-23224263ebffa341a7d39fbf40cdc843 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-ly7lpwt3-23224263ebffa341a7d39fbf40cdc843 av-styling- avia-align-center  avia-builder-el-2  el_after_av_hr  el_before_av_textblock'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-464 avia-img-lazy-loading-not-464 avia_image' src=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/artlas.jpg\" alt='' title='artlas'  height=\"133\" width=\"378\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/artlas.jpg 378w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/artlas-300x106.jpg 300w\" sizes=\"(max-width: 378px) 100vw, 378px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-d083fcad8a79997cc77f0524a79d8a75'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Congress <\/strong><\/p>\n<p>The 2023-2024 Artl@s Lectures, under the theme \"Narrowing the Divide: A Dialogue between Art History and Digital Art History\", promoted the dialogue between traditional and digital art history. Digital Art History was consolidating as an autonomous discipline, but faced challenges due to a lack of integration with traditional analysis. The event facilitated meetings between experts from both fields to foster collaborations and mutual understanding. Art historians posed questions and corpus to specialists in digital methods, who presented their findings, highlighting the importance of combining approaches. These sessions offered PhD students opportunities to explore new topics and advances in both disciplines. Among them, Nuria Rodr\u00edguez Ortega intervened with \"Exhibition Studies and Digital Approaches\", where she addressed the convergence between computational languages, digital media and artistic culture, focusing on data analysis to study complex cultural systems and natural language processing for artistic texts. He explored visual-formal creation through computer vision and narratives with reality technologies. In addition, he researched how artificial intelligence reformulates the categorisation of cultural objects and has published on criticism and post-museology in digital culture.<\/p>\n<p><strong>Type of communication<\/strong>Invited lecture. \"Exhibition Studies and Digital Approaches\".<br \/>\n<strong>Staff involved:<\/strong> Nuria Rodr\u00edguez Ortega.<br \/>\n<strong>Date:<\/strong> December 2023.<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[4],"class_list":["post-463","portfolio","type-portfolio","status-publish","hentry","portfolio_entries-actividades"],"_links":{"self":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio\/463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/comments?post=463"}],"version-history":[{"count":0,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio\/463\/revisions"}],"wp:attachment":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/media?parent=463"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/tags?post=463"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio_entries?post=463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}