{"id":451,"date":"2024-07-04T17:36:07","date_gmt":"2024-07-04T17:36:07","guid":{"rendered":"https:\/\/complexhibit.eu\/?post_type=portfolio&#038;p=451"},"modified":"2025-09-08T06:05:30","modified_gmt":"2025-09-08T06:05:30","slug":"semantic-web-cultural-heritage-and-art-historical-knowledge-conceptual-models-ontologies-and-epistemological-implications-universidad-de-malaga","status":"publish","type":"portfolio","link":"https:\/\/complexhibit.eu\/en\/actividades-publicaciones\/semantic-web-cultural-heritage-and-art-historical-knowledge-conceptual-models-ontologies-and-epistemological-implications-universidad-de-malaga\/","title":{"rendered":"Semantic Web, Cultural Heritage, and Art Historical Knowledge: Conceptual Models, Ontologies, and Epistemological Implications (Universidad de M\u00e1laga)"},"content":{"rendered":"<section  class='av_textblock_section av-ly7jqfqh-6b0f0361355a7a1ebb2e2dbc13a3a3fd'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3 style=\"text-align: center;\">Semantic Web, Cultural Heritage, and Art Historical Knowledge: Conceptual Models, Ontologies, and Epistemological Implications (Universidad de M\u00e1laga)<\/h3>\n<\/div><\/section>\n<div  class='hr av-av_hr-91d7ccd583a503147498e120fee2ff9b hr-default  avia-builder-el-1  el_after_av_textblock  el_before_av_image'><span class='hr-inner'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1\">\n.avia-image-container.av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-ly7jso4q-16d703c030c35c23c1470aade33d5eb1 av-styling- avia-align-center  avia-builder-el-2  el_after_av_hr  el_before_av_textblock'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-452 avia-img-lazy-loading-not-452 avia_image' src=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web.webp\" alt='' title='semantic_web'  height=\"709\" width=\"1689\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web.webp 1689w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-300x126.webp 300w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-1030x432.webp 1030w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-768x322.webp 768w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-1536x645.webp 1536w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-1500x630.webp 1500w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2024\/07\/semantic_web-705x296.webp 705w\" sizes=\"(max-width: 1689px) 100vw, 1689px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-d083fcad8a79997cc77f0524a79d8a75'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Seminar<\/strong><\/p>\n<p>Organised by the Telef\u00f3nica-UMA Chair with the collaboration of the Picasso Museum of M\u00e1laga, this seminar brought together professionals to reflect on the construction of conceptual models and ontologies in cultural heritage and art history. The event, part of the University of Malaga's Andalex and Complexhibit projects, addressed the use of semantic web technologies, highlighting their potential to diversify access to cultural content, expand narratives and extract implicit knowledge from big data. Issues such as temporal ambiguity, interpretative layers, post-anthropocentric hierarchies and epistemological biases were discussed, highlighting the challenges and achievements in the creation of the OntoExhibit ontology for art exhibitions.<\/p>\n<p><strong>Type of communication:<\/strong> Lecture. \"OntoExhibit: modeling the art exhibition domain and its discursive and social practices\".<br \/>\n<strong>Staff involved:<\/strong> Nuria Rodr\u00edguez Ortega and M.\u00aa Luisa D\u00edez Platas (PIs); Mart\u00edn Salvach\u00faa and M.\u00aa Mar Rold\u00e1n (Collaborators)<br \/>\n<strong>Date:<\/strong> March 2023<\/p>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[4],"class_list":["post-451","portfolio","type-portfolio","status-publish","hentry","portfolio_entries-actividades"],"_links":{"self":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":0,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio\/451\/revisions"}],"wp:attachment":[{"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/media?parent=451"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/tags?post=451"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/complexhibit.eu\/en\/wp-json\/wp\/v2\/portfolio_entries?post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}