{"id":1126,"date":"2026-03-24T10:58:07","date_gmt":"2026-03-24T10:58:07","guid":{"rendered":"https:\/\/complexhibit.eu\/?page_id=1126"},"modified":"2026-06-30T08:29:54","modified_gmt":"2026-06-30T08:29:54","slug":"complexhibit-2026-conference","status":"publish","type":"page","link":"https:\/\/complexhibit.eu\/en\/complexhibit-2026-conference\/","title":{"rendered":"CCCA - COMPLEXHIBIT 2026 CONFERENCE"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1rig1w6-d688085a95ae1ed5346a05495f4c66f3\">\n.avia-section.av-1rig1w6-d688085a95ae1ed5346a05495f4c66f3{\nbackground-color:#be1622;\nbackground-image:url(https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/fondo-C3E-bg.jpg);\nbackground-repeat:no-repeat;\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n.avia-section.av-1rig1w6-d688085a95ae1ed5346a05495f4c66f3 .av-section-color-overlay{\nopacity:0.7;\nbackground-color:#be1622;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-1rig1w6-d688085a95ae1ed5346a05495f4c66f3 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_section  avia-builder-el-first  c3e avia-full-stretch avia-bg-style-scroll av-section-color-overlay-active av-minimum-height av-minimum-height-24vw av-height-percent_width  container_wrap sidebar_right'  data-section-bg-repeat='stretch' data-av_minimum_height_pc='24' data-av_min_height_opt='percent_width'><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1126'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-69c5wm-fb0f9618afb144a38e1fb52f3aaa317a av_one_full  avia-builder-el-1  avia-builder-el-no-sibling  first flex_column_div  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1z11c6-6fe36b5bd4aa71b54fa17deb04f1c0ef\">\n.avia-image-container.av-1z11c6-6fe36b5bd4aa71b54fa17deb04f1c0ef img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-1z11c6-6fe36b5bd4aa71b54fa17deb04f1c0ef .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-1z11c6-6fe36b5bd4aa71b54fa17deb04f1c0ef av-styling- avia-align-center  avia-builder-el-2  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-1240 avia-img-lazy-loading-not-1240 avia_image ' src=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/04\/CCCA-logo.png\" alt='' title='CCCA - logo'  height=\"200\" width=\"500\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/04\/CCCA-logo.png 500w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/04\/CCCA-logo-300x120.png 300w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/04\/CCCA-logo-18x7.png 18w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mo16nhf0-8b3f678c6030532a2e7915b5b4984d7a\">\n#top .av_textblock_section.av-mo16nhf0-8b3f678c6030532a2e7915b5b4984d7a .avia_textblock{\ncolor:#ffffff;\n}\n<\/style>\n<section  class='av_textblock_section av-mo16nhf0-8b3f678c6030532a2e7915b5b4984d7a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><h1 style=\"text-align: center;\">Cultural Complexity and Computational Approaches<\/h1>\n<h3 style=\"text-align: center;\">Toward a Systemic and Critical Understanding of Cultural Ecosystems<\/h3>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2o6dxi-34df422292f26f9bc8e54edfffae1832\">\n#top .av-special-heading.av-2o6dxi-34df422292f26f9bc8e54edfffae1832{\npadding-bottom:10px;\ncolor:#ffffff;\n}\nbody .av-special-heading.av-2o6dxi-34df422292f26f9bc8e54edfffae1832 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-2o6dxi-34df422292f26f9bc8e54edfffae1832 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-2o6dxi-34df422292f26f9bc8e54edfffae1832 .av-subheading{\nfont-size:18px;\ncolor:#ffffff;\n}\n<\/style>\n<div  class='av-special-heading av-2o6dxi-34df422292f26f9bc8e54edfffae1832 av-special-heading-h3 custom-color-heading blockquote modern-quote modern-centered  avia-builder-el-4  el_after_av_textblock  avia-builder-el-last '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >30 June; 1-2 July 2026<\/h3><div class='av_custom_color av-subheading av-subheading_below'><p>M\u00c1LAGA, SPAIN<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/p><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><\/div><div id='av_section_2'  class='avia-section av-1lnkj52-7c00a918a48609daa49a76c634a284b3 main_color avia-section-default avia-no-border-styling  avia-builder-el-5  el_after_av_section  el_before_av_section  c3e avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1126'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-1k67g6u-56ee431260456150ddf687be6c435032 av_one_full  avia-builder-el-6  avia-builder-el-no-sibling  first flex_column_div  '     ><p><div  class='hr av-1ifdsfq-dd002e9b8b04916babdf927c38dbdc13 hr-default  avia-builder-el-7  el_before_av_textblock  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-1gs1352-4f8ba06a2c599337f5ccfdb3560cc3ea '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"c3e\">Important Dates<\/h2>\n<ul>\n<li><strong>Submission deadline<\/strong>: 15 May 2026 (23:59 CET) [EXTENDED]<\/li>\n<li><strong>Notifications:<\/strong> 25 May 2026<\/li>\n<li><strong>Conference dates<\/strong>: 30 June; 1-2 July 2026<\/li>\n<li><strong>Venue<\/strong>: Russian Museum Collection (Avda. Sor Mar\u00eda Prat, n. 15).<\/li>\n<\/ul>\n<\/div><\/section><br \/>\n<div  class='hr av-1efmw52-3bc5280034dcee6802ef287decab51ae hr-default  avia-builder-el-9  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-1d94jjq-8c9b3c5327bacb5326e5cf8334d6591b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Organization<\/h2>\n<p><strong>Organized by<\/strong>: <a href=\"https:\/\/iarthis.iarthislab.eu\" target=\"_blank\" rel=\"noopener\">iArtHis_Lab<\/a> Research Group (within the framework of the Complexhibit project) in collaboration with the Telef\u00f3nica\u2013UMA Chair.<\/p>\n<p><strong>Scientific Coordination<\/strong>: Nuria Rodr\u00edguez-Ortega (UMA) and M.\u00aa Luisa D\u00edez Platas (UNIR).<\/p>\n<p><strong>Technical Secretariat<\/strong>: \u00c1ngel Lumbreras Fern\u00e1ndez (UMA)<\/p>\n<p><strong>Organizing Committee<\/strong>: M.\u00aa Mar Rold\u00e1n Garc\u00eda (UMA); B\u00e1rbara Romero-Ferr\u00f3n (Leuphana University); Natalia Bravo (UMA), Mar\u00eda Marcos Cobaleda (UMA); David Ruiz Torres (UMA); Mar\u00eda Ortiz Tello (UNIR).<\/p>\n<p><strong>Special Collaboration<\/strong>: CLARIAH-ES, CLARIAH-AND, M\u00e1laga Espacio Expositivo Tabacalera (MEET), Colecci\u00f3n del Museo Ruso, Instituto Universitario sobre Sociedades, Estados y Estudios Internacionales (INSEI), Grupo de Estudios Art\u00edsticos y Visuales (GEAV-HUM-180)<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-4qnhzq-5dc8797f735a5b8dc2cac2b233356d57 hr-default  avia-builder-el-11  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-1980ck6-edac2797f09f2cfd666c17504686a080 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Conference Concept<\/h2>\n<p>Complexity is a general property of cultural systems across historical periods. Cultural life has long unfolded through dense interdependencies among institutions and patronage regimes, media and material infrastructures, markets and circuits of exchange, publics and interpretive communities, and the norms and policies that govern cultural legitimacy. Across time\u2014whether in early modern correspondence networks, nineteenth-century print cultures, or today\u2019s platform-mediated environments\u2014these interacting forces constitute cultural ecosystems whose dynamics are non-linear, multi-scalar, and historically stratified. They generate emergent phenomena such as canon formation and marginalization, reputational cascades, diffusion and imitation, cycles of attention, unequal circulation, and durable asymmetries of access and preservation.<\/p>\n<p>Over recent decades, the increasing data mediation of cultural activity and the rise of digital infrastructures have made some of these dynamics more visible, more rapid, and in certain domains more measurable\u2014while also introducing new regimes of visibility, new feedback loops, and new forms of inequality. Contemporary technological developments\u2014mass digitization, networked cultural infrastructures, machine-readable standards, and advances in AI and data science\u2014reconfigure cultural ecosystems in ways that increase systemic complexity while simultaneously extending our capacity to render that complexity analytically tractable. They enable the formalization of cultural knowledge, the modeling of systemic dynamics, and the testing of claims against evidence at scales and resolutions that earlier scholarship could only approximate. This shift makes computational approaches methodologically salient not as a replacement for interpretation, but as a means to articulate interpretive arguments with explicit models, traceable assumptions, and empirical accountability.<\/p>\n<p>Against this background, the conference advances a deliberately reflexive research problem:<\/p>\n<p><strong><em>What does it mean to study culture\u2014rigorously and critically\u2014when we conceptualize cultural ecosystems as complex systems that can be formally represented, computationally modeled, and empirically evaluated?<\/em><\/strong><\/p>\n<p>A second, closely related question follows:<\/p>\n<p><strong><em>How can we develop computational forms of cultural inquiry that are simultaneously system-sensitive and historically grounded\u2014capable of formal representation, modeling, and evaluation\u2014without collapsing cultural interpretation into mere measurement?<\/em><\/strong><\/p>\n<p>The conference is anchored in the <strong>Complexhibit Project<\/strong>, which develops methods for the semantic integration of heterogeneous sources\u2014such as catalogues, curatorial texts, reviews, institutional records, and digital traces\u2014to enable enriched, comparative analysis of the exhibition domain across contexts and scales. Building on this framework, the conference welcomes contributions that extend complexity-informed perspectives to broader cultural ecosystems, including arts and heritage, cultural industries, archives and libraries, education, mediation, platform cultures, communities, and cultural policy.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-18dzvye-cc580986041603fb3d77392d8f1666e3 hr-default  avia-builder-el-13  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-45ieau-f18d05f0b35adc9f73b3c1474123818d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Anniversary<\/h2>\n<p>Complexhibit2026 also commemorates the tenth anniversary of <a href=\"https:\/\/ehad.iarthislab.eu\/\" target=\"_blank\" rel=\"noopener\"><strong>eHAD 2016<\/strong><\/a> (M\u00e1laga, 15\u201316 December 2016), the IV International Meeting of Researchers in Digital Art History, organized by iArtHis_Lab (University of M\u00e1laga). eHAD 2016 was an early international forum explicitly devoted to Digital Art History and to research at the intersection of art-historical inquiry, computational technologies, and digital media. y commemorating this milestone, the present conference acknowledges that genealogy and extends it\u2014broadening the lens from Digital Art History to cultural ecosystems more generally, and from \u201cdigital\u201d methods to computational approaches centered on cultural complexity across historical periods.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-14pj5km-11142ac8542e3b762b4e484049ab96b9 hr-default  avia-builder-el-15  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-128o7ja-3474f25f915e961eeabe24986b0471a3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Research Context and Conference Positioning<\/h2>\n<p>The conference is situated within a consolidated research landscape spanning (i) systems-oriented cultural theory and cultural sociology; (ii) the methodological and epistemic debates of Digital Humanities around scale, evidence, and interpretation; (iii) complexity science and network-based approaches to cultural history; and (iv) Semantic Web traditions in knowledge organization and cultural interoperability.<\/p>\n<p>Computational approaches are central not as an end in themselves, but as a means to theorize, model, and evaluate cultural complexity with explicit assumptions and interpretive accountability. Therefore, \u201ccomputational\u201d designates more than a toolkit; it signals a methodological and epistemic orientation that foregrounds:<\/p>\n<ul>\n<li>Formal representation of cultural knowledge: conceptual modeling, ontologies, knowledge graphs, explicit source traceability (provenance), and qualified claims (uncertainty, disagreement, approximation).<\/li>\n<li>Computational modeling and analysis: network science, temporal dynamics, simulation, statistical inference, and\u2014where appropriate\u2014causal or counterfactual reasoning.<\/li>\n<li>NLP for cultural discourse: from criticism and catalogues to archives and platform communication, emphasizing rhetoric, valuation, and contestation.<\/li>\n<li>Cultural data science: grounded in evaluation, interpretability, bias analysis, and epistemic accountability.<\/li>\n<li>Reproducibility and governance: documentation, FAIR principles, licensing constraints, and infrastructural sustainability.<\/li>\n<\/ul>\n<\/div><\/section><br \/>\n<div  class='hr av-10k1n06-2191a4604e50954fccb126c68eddb091 hr-default  avia-builder-el-17  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-zhfofa-c94af307522c832163a7d5c0bf26021a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Thematic Clusters (non-exhaustive)<\/h2>\n<h3>I) Cultural Dynamics and Historical Change<\/h3>\n<p>This cluster welcomes research that conceptualizes culture as a system of interacting forces unfolding across multiple scales and historical horizons. We invite work on how cultural forms, reputations, institutions, and interpretive communities emerge, stabilize, and transform over time through circulation, conflict, selection, and accumulation. Relevant topics include dynamics of visibility and invisibility, canon formation and revision, diffusion and imitation, attention cycles, and structural inequalities in access and circulation. We are especially interested in approaches that preserve historical specificity while enabling comparative or long-range analysis\u2014through temporal modeling, event-based perspectives, or other frameworks suited to path dependence, thresholds, and turning points.<\/p>\n<h3>II) Cultural Infrastructures, Knowledge, and Evidence<\/h3>\n<p>Culture becomes knowable through infrastructures of description and preservation: catalogues, archives, standards, classification regimes, and institutional policies. This cluster invites contributions that examine how such infrastructures shape cultural memory and legibility, including their epistemic and political consequences. We welcome work on formal representations of cultural knowledge and the challenges of integrating heterogeneous sources across institutions and time: interoperability, conceptual modeling, data quality, and the management of uncertainty. We particularly value contributions that foreground evidence and traceability\u2014provenance, versioning, missingness, and the limits of inference\u2014so that computational claims can be evaluated as historically situated knowledge practices.<\/p>\n<h3>III) Cultural Discourse and Interpretation<\/h3>\n<p>Culture is also an ecosystem of discourse: criticism, catalogues, press, scholarship, correspondence, institutional writing, and platform-mediated conversation. This cluster invites research that investigates interpretation at scale\u2014how meanings, valuations, and controversies circulate and become authoritative across genres, institutions, languages, and historical contexts. We welcome work that treats discourse not merely as \u201ctextual data,\u201d but as a site where cultural power, legitimacy, and epistemic authority are negotiated.<\/p>\n<h3>IV) Responsibility, Data Governance, and Sustainability<\/h3>\n<p>Computational cultural inquiry raises questions of responsibility that are inseparable from methodological rigor. This cluster foregrounds the governance conditions under which cultural data is produced, structured, maintained, and operationalized, including legal constraints, institutional adoption, and the political consequences of automation. We invite contributions that address rights and licensing, sustainability of infrastructures, and critical analyses of bias and epistemic inequality\u2014especially how standards, datasets, and models may reproduce historical exclusions or generate new forms of invisibility.<\/p>\n<p>Submissions should engage with at least one of the following dimensions\u2014ideally integrating several\u2014while maintaining clarity about interpretive stakes and methodological boundaries:<\/p>\n<ul>\n<li>Formal representation of cultural knowledge: ontologies, event modeling, knowledge graphs, provenance, uncertainty.<\/li>\n<li>Models and metrics for cultural ecosystems: network measures, temporal modeling, diversity and visibility inequalities, thresholds.<\/li>\n<li>NLP and computational discourse analysis: stance, valuation, controversy, and the linking of textual archives and data models.<\/li>\n<li>Simulation and generative modeling: agent-based models, diffusion processes, counterfactuals, and explicit assumption modeling.<\/li>\n<li>Evaluation and responsibility: benchmarks, interpretability, bias audits, documentation, licensing, and ethical reflection.<\/li>\n<\/ul>\n<p>The event is designed to converge formal representation (semantic structures), systemic modeling (complexity-sensitive methods), and critical interpretation (theory-informed reading) under explicit regimes of evaluation, uncertainty, and responsibility. Therefore, while the conference welcomes datasets, visualizations, and analytic pipelines, it is especially interested in work that leverages them to advance complexity-driven explanation<strong>s<\/strong> of cultural ecosystems. Submissions are encouraged to articulate a complexity-oriented research question (e.g., involving feedback, emergence, non-linearity, path dependence, or multi-scale structure) and to show how computational approaches support formalization, modeling, and evaluation. Contributions that translate outputs into a coherent systemic argument\u2014grounded in historical context and interpretive accountability\u2014will be particularly well aligned with the conference scope.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-1vqq2u-eb9ebc72e498ff34838a6d8cb9f929b1 hr-default  avia-builder-el-19  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-mockwlkg-018fa0dab71099fa763c6e6859f8c741 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>The Role of the European Infrastructures<\/h2>\n<p>The conference will also feature a dedicated space for CLARIAH-ES and CLARIAH-AND, highlighting the growing collaboration between Spanish and Andalusian research infrastructures in the digital humanities and social sciences. As part of this program, attendees will enjoy a one-hour session with the presentation <em>Open Research Without Borders: FAIR, CLARIN and DARIAH<\/em>, delivered by Arturo Montejo R\u00e1ez, tenured professor at the University of Ja\u00e9n and coordinator of CLARIAH-AND.\u00a0 The talk will explore how FAIR principles, together with the CLARIN and DARIAH research infrastructures, are enabling open, interoperable, and borderless research practices across the humanities.<\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-xerhqe-b88efbe1c4f87aad980dd2269b703c1f\">\n.avia-section.av-xerhqe-b88efbe1c4f87aad980dd2269b703c1f .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/fondo-C3E-bg-bottom.jpg);\nbackground-position:50% 100%;\nbackground-attachment:scroll;\n}\n.avia-section.av-xerhqe-b88efbe1c4f87aad980dd2269b703c1f .av-section-color-overlay{\nopacity:0.7;\nbackground-color:#ffffff;\n}\n<\/style>\n<div id='av_section_3'  class='avia-section av-xerhqe-b88efbe1c4f87aad980dd2269b703c1f main_color avia-section-large avia-no-border-styling  avia-builder-el-21  el_after_av_section  el_before_av_section  c3e avia-full-stretch av-parallax-section avia-bg-style-parallax av-section-color-overlay-active container_wrap sidebar_right'  data-section-bg-repeat='stretch'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1126'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-vsdq5i-4420d6d4ac0729b7de6d002bd4a495da av_one_full  avia-builder-el-22  el_before_av_one_fourth  avia-builder-el-first  first flex_column_div  '     ><p><div  class='hr av-vcoqna-2e360b48769f9ca512a7b4a4146352a0 hr-default  avia-builder-el-23  el_before_av_textblock  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-srv1py-c5b53ca1917148627a48918194829afc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Keynote speakers<\/h2>\n<\/div><\/section><\/p><\/div><div  class='flex_column av-rd679y-4e2066ed88089fc9b02649b1f2cccf41 av_one_fourth  avia-builder-el-25  el_after_av_one_full  el_before_av_three_fourth  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-pmeoom-6d9f99396bb1639a1228031b6ff7c7fd\">\n.avia-image-container.av-pmeoom-6d9f99396bb1639a1228031b6ff7c7fd img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-pmeoom-6d9f99396bb1639a1228031b6ff7c7fd .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-pmeoom-6d9f99396bb1639a1228031b6ff7c7fd av-styling- avia-align-center  avia-builder-el-26  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-1193 avia-img-lazy-loading-not-1193 avia_image ' src=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother.jpg\" alt='' title='Lynn Rother'  height=\"500\" width=\"500\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother.jpg 500w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother-300x300.jpg 300w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother-80x80.jpg 80w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother-12x12.jpg 12w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother-36x36.jpg 36w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Lynn-Rother-180x180.jpg 180w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><\/div><\/div><\/div><div  class='flex_column av-np199y-f67a3b19c710131dd91b6ad8a9ff8a2b av_three_fourth  avia-builder-el-27  el_after_av_one_fourth  el_before_av_hr  flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-mlysk6-3d376f9b0c6e0eeeec10f1ca7d87248f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3><strong>Lynn Rother<\/strong><\/h3>\n<p>Lynn Rother is Lichtenberg-Professor for Provenance Studies and founding director of the Provenance Lab at Leuphana University (L\u00fcneburg, Germany). Her research combines art history, museum practice, and data science to investigate the social lives of art objects, with a focus on provenance, restitution, and critical approaches to cultural infrastructures. Previously, she held research positions at The Museum of Modern Art (New York) and the Berlin State Museums.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-20qz9y-5c8c9915093da1fab5ad17e541a60b1e\">\n#top .hr.av-20qz9y-5c8c9915093da1fab5ad17e541a60b1e{\nmargin-top:60px;\nmargin-bottom:60px;\n}\n.hr.av-20qz9y-5c8c9915093da1fab5ad17e541a60b1e .hr-inner{\nwidth:100%;\nborder-color:#d8d8d8;\n}\n<\/style>\n<div  class='hr av-20qz9y-5c8c9915093da1fab5ad17e541a60b1e hr-custom  avia-builder-el-29  el_after_av_three_fourth  el_before_av_one_fourth  hr-center hr-icon-no'><span class='hr-inner inner-border-av-border-thin'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-j4qow6-a6d37eafd37a4dd39037a431690fe0a3 av_one_fourth  avia-builder-el-30  el_after_av_hr  el_before_av_three_fourth  first flex_column_div  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-grtuli-994275f0464c5b62d979a641a704c7f5\">\n.avia-image-container.av-grtuli-994275f0464c5b62d979a641a704c7f5 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-grtuli-994275f0464c5b62d979a641a704c7f5 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-grtuli-994275f0464c5b62d979a641a704c7f5 av-styling- avia-align-center  avia-builder-el-31  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-1194 avia-img-lazy-loading-not-1194 avia_image ' src=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado.jpg\" alt='' title='Carlos Eduardo Maldonado'  height=\"500\" width=\"500\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado.jpg 500w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado-300x300.jpg 300w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado-80x80.jpg 80w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado-12x12.jpg 12w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado-36x36.jpg 36w, https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/03\/Carlos-Eduardo-Maldonado-180x180.jpg 180w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><\/div><\/div><\/div><div  class='flex_column av-f6wt5y-2b32678ada2dda87c243df600aa8056f av_three_fourth  avia-builder-el-32  el_after_av_one_fourth  avia-builder-el-last  flex_column_div  '     ><section  class='av_textblock_section av-et8p46-de4771fe5a2317f0b9970bd15218264e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3><strong>Carlos Eduardo Maldonado<\/strong><\/h3>\n<p>Carlos Eduardo Maldonado is Professor of Complexity Science at Universidad El Bosque (Bogot\u00e1, Colombia) and a leading figure in complexity studies in Latin America. He holds a Ph.D. in Philosophy from KU Leuven (Belgium) and has conducted postdoctoral research at the universities of Pittsburgh, Cambridge, and the Catholic University of America. His work addresses the theoretical and philosophical foundations of complexity science, non-classical logics, and the epistemology of complex systems.<\/p>\n<\/div><\/section><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><\/div><div id='av_section_4'  class='avia-section av-imqjk6-ca88b55e4965c267efefac1b5759a209 main_color avia-section-default avia-no-border-styling  avia-builder-el-34  el_after_av_section  el_before_av_section  c3e avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1126'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-i4vjeu-93be96f00a59b648dd57b373d72fcb08 av_one_full  avia-builder-el-35  avia-builder-el-no-sibling  first flex_column_div  '     ><p><div  class='hr av-fko4ye-6031c543f8e73eeee0921014e3691f3b hr-default  avia-builder-el-36  el_before_av_textblock  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-erk96u-740475fdc14ca6b46d29554a68bfbde2 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Submission Types<\/h2>\n<h3>A) Paper Presentations (20 minutes)<\/h3>\n<p>We invite research papers and scholarly contributions that advance the study of cultural complexity through computational means. Submissions may include, but are not limited to:<\/p>\n<ul>\n<li>Empirical studies of cultural dynamics across historical or contemporary contexts (e.g., circulation, canonization, visibility inequality, institutional change), with explicit modeling assumptions.<\/li>\n<li>Methodological contributions that link interpretation and modeling: network and temporal approaches, simulation, comparative analytics, or theoretically grounded evaluation frameworks.<\/li>\n<li>Formal and semantic representations for cultural knowledge (conceptual models, ontologies, knowledge graphs, event models), including work on interoperability, alignment, and validation.<\/li>\n<li>NLP and discourse-centered research on cultural corpora (archives, criticism, catalogues, press, platform discourse), especially work attentive to rhetoric, valuation, controversy, multilinguality, and historically situated language.<\/li>\n<li>Resources and infrastructures (datasets, benchmarks, annotation schemes, tools, reproducible pipelines), provided they include a clear research motivation, documented provenance, and an evaluation or validation strategy.<\/li>\n<li>Critical case studies that foreground epistemic limits (uncertainty, missingness, bias, licensing constraints) and propose robust ways of making claims under those conditions.<\/li>\n<\/ul>\n<p><strong>Submission requirements:<\/strong><\/p>\n<ul>\n<li>Your submission must include title and author information (name, affiliation, email).<\/li>\n<li>Extended abstract: 500\u2013800 words (PDF).<\/li>\n<li>Contributions should be anchored in a clear research question, make methodological choices explicit, and\u2014where applicable\u2014address evaluation, uncertainty, and interpretive traceability (how claims connect to sources, transformations, and modeling decisions). Historically informed work is especially welcome, and submissions may address any period.<\/li>\n<li>Optional but strongly encouraged: links to code, data, documentation (subject to rights\/ethics), diagrams of pipelines\/schemas, and reproducibility materials.<\/li>\n<\/ul>\n<h3>B) Panels \/ Roundtables (90 minutes)<\/h3>\n<p>Panels are conceived as structured scholarly conversations, not as sequences of mini-lectures. Panels should be designed to consolidate:<\/p>\n<ul>\n<li>Productive controversies and theoretical tensions (e.g., modeling vs. interpretation; scale vs. specificity; canon and inequality; metrics and cultural value).<\/li>\n<li>Shared evaluation practices (uncertainty reporting, interpretability, bias audits, standards for traceability and reproducibility).<\/li>\n<li>Future research agendas and field-level coordination (interoperability roadmaps, corpus-building priorities, governance frameworks, methodological best practices for cultural complexity).<\/li>\n<\/ul>\n<p>Panels that bring together disciplinary plurality (complexity science, digital humanities, semantic web, NLP, cultural theory, GLAM research and practice) and that aim for concrete outcomes are particularly encouraged.<\/p>\n<p>Format: 90 minutes total, with an explicit plan for moderation and audience engagement.<\/p>\n<p><strong>Submission requirements:<\/strong><\/p>\n<ol>\n<li>Your submission must include panel&#8217;s title and convenor(s) (name, affiliation, email).<\/li>\n<li>Rationale (250\u2013400 words): why this panel is timely for <em>Cultural Complexity and Computational Approaches<\/em> and what is at stake theoretically and methodologically.<\/li>\n<li>Three to five guiding questions that structure the discussion (not just topics).<\/li>\n<li>Participants:\n<ul>\n<li>names and affiliations<\/li>\n<li>short bios (3\u20135 lines each), indicating relevance and perspective.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h3>C) Workshops (Day 1, morning)<\/h3>\n<p>The conference will host a limited number of hands-on workshops on Day 1 (morning), prior to the official opening in the afternoon. Workshops are intended as intensive sessions focused on methods, infrastructures, and transferable skills relevant to the conference themes\u2014for example: knowledge graph construction and validation, ontology design for cultural domains, NLP pipelines for cultural corpora, temporal or network analysis, evaluation and error analysis, provenance and uncertainty modeling, or reproducible workflows for cultural data.<\/p>\n<p>Workshops should combine conceptual framing with practical components (e.g., guided exercises, demos, shared datasets, notebooks) and should be designed for an academic audience with heterogeneous backgrounds.<\/p>\n<p>Recommended duration: 2 hours.<\/p>\n<p><strong>Submission requirements:<\/strong><\/p>\n<ul>\n<li>Your submission must include: Workshop title and organizer(s) (name, affiliation, email).<\/li>\n<li>Objectives and intended audience (assumed background; maximum\/minimum participants, if relevant).<\/li>\n<li>Relevance to conference themes (explicitly connect to cultural complexity and computational approaches).<\/li>\n<li>Format and duration.<\/li>\n<\/ul>\n<p>Optional but encouraged: link to draft materials or prior versions of the workshop, accessibility considerations, and plans for participants without a technical setup.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-d89at2-3621b8cd21175b501afb531cad45dc88 hr-default  avia-builder-el-38  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-ai2x5i-e74a2f0e62ffef9ede8c407d65af54a8 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>General Notes (all submission types)<\/h2>\n<ul>\n<li>Scope: submissions may address any historical period and any cultural domain (arts, heritage, cultural industries, archives and libraries, policy, platform cultures, etc.), provided they engage cultural complexity and make computational choices explicit.<\/li>\n<li>Language: submissions may be in English or Spanish, although the working language of the conference will be English.<\/li>\n<li>File format: PDF.<\/li>\n<li>Ethics and rights: authors are responsible for ensuring that shared data and materials comply with licensing, rights, and ethical constraints; where sharing is not possible, access conditions and limitations should be described transparently.<\/li>\n<li>Submission: send proposals to digitalarthistory@uma.es<\/li>\n<\/ul>\n<h2>Registration Fee (Accepted Contributions)<\/h2>\n<p><span style=\"color: #ff0000;\">Not needed. The participation is free of charge.\u00a0<\/span><\/p>\n<h2>Proceedings \/ Outputs<\/h2>\n<p>Book of abstracts; selected contributions invited to a special issue \/ edited volume (subject to editorial review).<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-1xdnzq-e5f70cc7b5d68e5296f3f37a69363727 hr-default  avia-builder-el-40  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-7srely-62278f33573890f52f28f139266a7fad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Scientific Committee<\/h2>\n<ul>\n<li>Rafael Rosemberg (University of Vienna)<\/li>\n<li>Sandra Van Ginhoven (Getty Research Institute)<\/li>\n<li>Koenraad Brosens (University of Leuven)<\/li>\n<li>Maximilian Schich (Tallinn University)<\/li>\n<li>Harald Klinke (Head of the Big Data Analysis business, German federal authority)<\/li>\n<li>Dar\u00edo Negueruela del Castillo (Digital Visual Studies Center &#8211; Max Planck Society)<\/li>\n<li>Jorge Sebasti\u00e1n Lozano (Universidad de Valencia)<\/li>\n<li>Esther Alba Pag\u00e1n (Universidad de Valencia)<\/li>\n<li>Pedro Luego (Universidad de Sevilla)<\/li>\n<\/ul>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='tabla-ccca'  class='avia-section av-6e0f06-cdeff295d8bd67d3916cb2d523c0a61f main_color avia-section-default avia-no-border-styling  avia-builder-el-42  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1126'><div class='entry-content-wrapper clearfix'>\n<section  class='av_textblock_section av-mr0d1z7s-98556aeed9e51ebe97468a4d90250640 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><table cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"middle\">\n<h4><strong>Day 1 \u2014\u00a0 30th June<\/strong><\/h4>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><b>Time<\/b><b><\/b><\/td>\n<td valign=\"middle\"><b>Session<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">15:30 \u2013 16:00<\/td>\n<td valign=\"middle\"><b>Registration<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">16:00 \u2013 16:30<\/td>\n<td valign=\"middle\">Institutional\u00a0<b>greetings<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">16:30 \u2013 17:00<\/td>\n<td valign=\"middle\"><b>Analysing the Art Exhibition Domain as a Complex Cultural Ecosystem: Ontology, Knowledge Graph, and Query Applications \u2013 <\/b>Nuria Rodr\u00edguez Ortega (University of M\u00e1laga) y M.\u00aa Luisa D\u00edez\u00a0Platas (International University of La Rioja, UNIR)<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">17:00 \u2013 17:30<\/td>\n<td valign=\"middle\"><b>Mapping Cultural Complexity in Networks of Writers Over the Last Three Centuries &#8211; <\/b>Gustavo<b> <\/b>Ariel Schwartz (Materials Physics Center, CSIC \u2013 UPV\/EHU; Uni. of the Basque Country, UPV\/EHU).<br \/>\n<i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">17:30 \u2013 18:00<\/td>\n<td valign=\"middle\"><b>Historical Frames. Interacting with historical change and complexity in cultural heritage ecosystems <\/b>\u2013<br \/>\nSofia Baroncini (Leibniz Institute of European History, IEG)<i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">18:00 \u2013 19:00<\/td>\n<td valign=\"middle\"><b>Plenary Session |\u00a0Recovering Female Agency in<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p><b>Provenance Data <\/b>\u2013<b> <\/b>Lynn Rother (Leuphana University)<\/p>\n<p><i>50 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">19:00 \u2013 19:30<\/td>\n<td valign=\"middle\">Wrap-up &amp; end of Day 1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/section>\n<section  class='av_textblock_section av-mr0dkgm0-640eaa74fa47922da0ade7b99a53c50d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><table cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"middle\">\n<h4><strong>Day 2 \u2014 July 1st<\/strong><\/h4>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><b>Time<\/b><b><\/b><\/td>\n<td valign=\"middle\"><b>Session<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">9:30 \u2013 10:00<\/td>\n<td valign=\"middle\"><b>Mapping the 20th Century Architectural Ecosystem through Journals: a retrospective and prospective reflection on Bidiria <\/b>\u2013<b> <\/b>Federico Deambrosis (Politecnico di Milano)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">10:00 \u2013 10:30<\/td>\n<td valign=\"middle\"><b>Ten Years After MUSA16: Advances and Challenges in Compiling a Corpus for the Study of Translated Museum Texts <\/b>\u2013<b><br \/>\n<\/b>Jorge Leiva\u00a0Rojo <b>(<\/b>University of M\u00e1laga<b>)<\/b><b><\/b><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">10:30 \u2013 11:00<\/td>\n<td valign=\"middle\"><b>Hotspots, Bypasses, and Semantic Drift: Mapping Cultural<\/b><b><\/b><\/p>\n<p><b>Knowledge Through Wikipedia\u2019s Biographical Network &#8211; <\/b>Paschalis Agapitos\u00a0(Materials Physics Center, CSIC \u2013 UPV\/EHU), Juan Luis Su\u00e1rez(CulturePlex Lab, Western University), Gustavo Ariel Schwartz (Materials Physics Center, CSIC \u2013 UPV\/EHU).<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">11:00 \u2013 11:20<\/td>\n<td valign=\"middle\"><b>Coffee break<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">11:20 \u2013 11:50<\/td>\n<td valign=\"middle\"><b>German Democratic Republic in Context: Reducing the Complexity of Historical Data through Visualization <\/b>\u2013<b> Linda Freyberg <\/b>(Research Library for the History of Education, DIPF Leibniz Institute)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">11:50 &#8211; 12:20<\/td>\n<td valign=\"middle\"><b>\u00abDense regions of complexity\u00bb: Intrinsic Dimension and Neural Geometry of Art-Critical Knowledge in Large Language Models <\/b>\u2013<b> <\/b>\u00c1ngel M\u00aa Lumbreras (University of M\u00e1laga)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">12:20 \u2013 12:40<\/td>\n<td valign=\"middle\"><b>Think Tank Session 1<\/b><b><\/b><\/p>\n<p><i>Open discussion on morning presentations<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">12:40 \u2013 13:40<\/td>\n<td valign=\"middle\"><b>DARIAH \/ CLARIAH session: European Research Infrastructure Consortia and FAIR Principles <\/b>\u2013 Arturo Montejo-R\u00e1ez (University of Ja\u00e9n)<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">13:40 \u2013 15:00<\/td>\n<td valign=\"middle\"><b>Lunch break<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">15:00 \u2013 15:30<\/td>\n<td valign=\"middle\"><b>Capturing Ephemeral Complexity: A Linked Open Data<\/b><b><\/b><\/p>\n<p><b>Approach to Theatre Productions &#8211; <\/b>Vivien Wolter (Trier Centre for Digital Humanities, Trier University)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">15:30 \u2013 16:00<\/td>\n<td valign=\"middle\"><b>From Live In Your Head: When Attitudes Become Form to Linked Data: a methodological proposal to describe exhibitions and processual<\/b> <b>contemporary artworks through the OntoExhibit ontology<\/b> \u2013 Maria Serena Matarrese\u00a0(Universit\u00e0 Cattolica del Sacro Cuore di Milano);\u00a0Nuria Rodr\u00edguez Ortega (University of M\u00e1laga)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A\u00a0A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">16:00 \u2013 16:30<\/td>\n<td valign=\"middle\"><b>The Interweavings Between Politics and Culture in Multiplatform<\/b><\/p>\n<p><b>Publication Practices of a Right-Wing-Blog: A Russian Example of<\/b><\/p>\n<p><b>Whiteness Discourse and How to Investigate its Complexity<\/b> \u2013 Elena Hamidy (University of Giessen)<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><i>20 min talk + 5 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">16:30 \u2013 17:00<\/td>\n<td valign=\"middle\"><b>Constructing the Canon: Museums, Exhibitions and Data Analysis in the Processes of\u00a0Cultural Legitimation of Pictorial Abstraction <\/b>\u2013<b> <\/b>Carmen Padrun Romero (University of M\u00e1laga)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">17:00 \u2013 17:15<\/td>\n<td valign=\"middle\"><b>Think Tank Session 2<\/b><b><\/b><\/p>\n<p><i>Open discussion \u2014 afternoon themes<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">17:15 \u2013 17:35<\/td>\n<td valign=\"middle\"><b>Coffee break<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">17:35 \u2013 18:05<\/td>\n<td valign=\"middle\"><b>From complicated models to complex dynamics. The computer simulation of Prehistoric Social Worlds<br \/>\n(<\/b>Universitat\u00a0Aut\u00f2noma de Barcelona<b>) [ On Line ]<\/b><b><\/b><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">18:05 \u2013 18:35<\/td>\n<td valign=\"middle\"><b>Computational Hermeneutics of Museum Discourse: Modeling Bias and Interpretive Framing in\u00a0Curatorial Texts <\/b>\u2013<b> <\/b>Mahnoush\u00a0Pourhosseini\u00a0Akbarie (Sapienza University of Rome)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">18:35 \u2013 19:05<\/td>\n<td valign=\"middle\"><b>Charting Contemporaneity: Pathways through Exhibitions, Museums, and Markets <\/b>\u2013<b> <\/b>Clarissa Ricci (University of Bologna)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">19:05 \u2013 19:35<\/td>\n<td valign=\"middle\"><b>Exhibition <\/b><b><i>Mise en Place<\/i><\/b><b>. Gender and Transnationality as Key Variables for Analyzing the Art Ecosystem<\/b>\u00a0\u2013<b>\u00a0<\/b>B\u00e1rbara Romero Ferr\u00f3n<b>\u00a0<\/b>(Leuphana University)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">19:35 \u2013 19:50<\/td>\n<td valign=\"middle\"><b>Think Tank Session 3<\/b><b><\/b><\/p>\n<p><i>Open discussion \u2014 end of day themes<\/i><i><\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/section>\n<section  class='av_textblock_section av-mr0dlf0h-27d9394a115eb387772d536670856c7b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><table cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"middle\">\n<h4><strong>Day 3 \u2014 July 2nd<\/strong><\/h4>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><b>Time<\/b><b><\/b><\/td>\n<td valign=\"middle\"><b>Session<\/b><b><\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">9:30 \u2013 10:00<\/td>\n<td valign=\"middle\"><b>Modeling an Intermedial Ecosystem: A Computational Approach to Gendered<\/b> <b>Canon Formation in 1930s Madrid <\/b>\u2013<b> <\/b>Irene Palencia Mora <b>(<\/b>National University of Distance Education, UNED)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">10:00 \u2013 10:30<\/td>\n<td valign=\"middle\"><b>Modeling Visual Complexity in Performance Photography: Period, Venue, and Photographic Mediation at the Festival d\u2019Avignon <\/b>\u2013<b> <\/b>Giacomo Alliata\u00a0<b>(<\/b>Universit\u00e9 Rennes 2)<\/p>\n<p><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">10:30 \u2013 11:00<\/td>\n<td valign=\"middle\"><b>Fragile Networks: Latent Comprehension and the Hermeneutics of LLM-Based Citation Extraction in Art History\u00a0<\/b>\u2013<b> <\/b>Andrea Alfarano, Eduardo Trabattoni, Dario Negueruela del Castillo<b><br \/>\n<\/b>(University of Zurich, UZH<b>)<\/b><b><\/b><i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">11:00 \u2013 11:20<\/td>\n<td valign=\"middle\">Coffee break<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">11:20 \u2013 11:50<\/td>\n<td valign=\"middle\"><b>The Order of Indeterminacy: Complexity, Uncertainty, and the Black Box \u2014 The Limits of Modelling <\/b>\u2013<b> <\/b>Arantzazu Saratxaga Arregi<br \/>\n(Aix-Marseille University)<i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">11:50 \u2013 12:20<\/td>\n<td valign=\"middle\"><b>Regrouping the Avant-Garde: A Multiscalar Network Approach to European Artist Groups (1905\u20131915) <\/b>\u2013<b> <\/b>Teresa Kamencek<br \/>\n(CReA Lab; University of Vienn)<i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">12:20 \u2013 12:40<\/td>\n<td valign=\"middle\"><b><i>From Membrana to Radicular<\/i><\/b><b>: Building Complexity through Transmedia Narratives <\/b>\u2013<b> <\/b>Irene L\u00f3pez Lobato<br \/>\n(University of M\u00e1laga \u2013 Telef\u00f3nica-UMA Chair)<i>20 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">12:40\u2013 13:40<\/td>\n<td valign=\"middle\"><b>Plenary session | The Paradox of Culture: The Impossibility of Mankind and the Possibility of Life.\u00a0 A Complexity Theory Approach <\/b>\u2013<b> <\/b>Carlos Eduardo Maldonado (University of El Bosque)<\/p>\n<p><i>50 min talk + 10 min Q&amp;A<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">13:40 \u2013 14:00<\/td>\n<td valign=\"middle\"><b>Think Tank Session 4<\/b><b><\/b><\/p>\n<p><i>Final open discussion &amp; synthesis<\/i><i><\/i><\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\">14:00 \u2013<\/td>\n<td valign=\"middle\">Closing:\u00a0<b>Interactive Showcase: &#8216;Radicular&#8217;, an Immersive Experience<\/b> (Telef\u00f3nica-UMA Chair y XRC Experiencias Inmersivas)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/section>\n<div  class='hr av-8lufie-95701e1dbd2a0e2bd7bd930f8267cfef hr-default  avia-builder-el-46  el_after_av_textblock  el_before_av_button '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='avia-button-wrap av-mqqfg3gp-ad8acee8dc81fc3a065818c3a8af163d-wrap avia-button-left  avia-builder-el-47  el_after_av_hr  el_before_av_button '>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mqqfg3gp-ad8acee8dc81fc3a065818c3a8af163d\">\n#top #wrap_all .avia-button.av-mqqfg3gp-ad8acee8dc81fc3a065818c3a8af163d{\nfont-size:17px;\ntransition:all 0.4s ease-in-out;\n}\n<\/style>\n<a href='https:\/\/complexhibit.eu\/wp-content\/uploads\/2026\/06\/CCCA-Conference-2026-Program.pdf'  class='avia-button av-mqqfg3gp-ad8acee8dc81fc3a065818c3a8af163d av-link-btn avia-icon_select-yes-left-icon avia-size-large avia-position-left avia-color-theme-color'  target=\"_blank\"  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